35/23
I went to Juilliard
Tale
The ghosts of a dead couple are haunted by an insufferable family that has moved into their home and hires a thug to drive them out. This is Michael Keaton’s favorite movie. Otto’s shoes as he paints He walks through the bathroom, the walls of the house change from fire engine red elf looking shoes to white trainers and then change back to red elf shoes when he enters the next room. Adam: What are your qualifications? Ah. Well…
I travel quite widely
I graduated from Harvard Business School. I survived the Black Death and had a pretty good time of it. I’VE SEEN THE EXORCIST APPROXIMATELY SIXTY-SEVEN TIMES AND IT GETS FUNNIER EACH TIME I SEE IT…UNLESS YOU’RE TALKING TO A DEAD GUY…WHAT ARE YOU THINKING NOW? Do you think I’m qualified? The Geffen logo is accompanied by an eerie version of Banana Boat (sung by film composer Danny Elfman). A print of the film appeared with some added/alternate scenes.
Instead of a desert, he sees an empty darkness filled with rolling gears
This version of the film is about 2 minutes shorter than the theatrical release, has a few extra scenes and is missing a few others, is in black and white, and has a timecode at the bottom. This version has 4 main differences: Alternate Scene: The scene where Adam tried to leave the house after he and his wife died is different. Additional Scenes: Added a scene where Lydia develops the pictures she took with Adam and Barbra. After her mother yells at her and blames her for cutting holes in the sheets, Lydia runs upstairs and tries to convince her dad that the pictures are real. The scene where the adults are looking for ghosts in the attic is even more so as we see a desert monster try to eat Adam and Barbra as they hang from the attic window. Finally there’s an extra 2 minute scene at the end where we see Lydia riding her bike home from school and her parents talking to Jane on the phone saying they don’t want to sell the house.
Edited Terror Toons (2002)
Lydia’s dance scene is shorter in this version, and there is no scene with Beetlejuice in the waiting room. The film ends with a final exterior shot of the house. Day-OTraditional, lyrics by William A. Attaway & Irving Burge [Wrongly credited as written by William A. Attaway & Irving Burgess (as Lord Burgess)] Performed by Harry Belafonte courtesy of RCA Records. This is by far Michael Keaton’s best performance.
This is a classic
Every time he comes on screen, he delivers a performance so eccentric that it rivals Jim Carrey from The Mask, only without much computer help. If his role calls for rudeness, he causes outrage; insistent he offends; witty, he creates hilarious sarcasm. One of my few complaints is that he doesn’t get enough screen time, even though he has a lot of it, most of it goes to Gena Davis and Alec Tim Burton’s direction is excellent. My favorite scene so far doesn’t even feature Michael Keaton. Anyone who has seen it will remember it as the dinner dance scene. If you haven’t seen it, you must have been raised under a rock or born before me.
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